
52
resolution October 2011
RESOLUTION AWARDS
T
he Nucleus combines a 16-channel fader controller,
arranged with eight channels on each side of a
centre section, with two mic preamps feeding
an onboard USB soundcard, SPDIF outputs, or
analogue outputs, along with basic monitoring facilities
and customisable DAW function control. The smart looking
desk is wide and shallow in depth; it has a gentle rake, and
everything is within easy reach.
All connections are on the rear panel, and there are many.
Setting up the Nucleus with your DAW requires connection of
both Ethernet and USB to the host computer. There are four
software packages to install. Nucleus Remote is the application
used for DAW control configuration, the ipMIDI driver enables
communication with the DAW, and the optional Nucleus USB
Soundcard driver and Control Panel packages are used for the
4-channel soundcard.
It is possible to toggle Nucleus control of up to three
different DAWs on up to three different computers, with
simultaneous transport control if required, using a Network
Router and USB Switcher. Dedicated buttons on the console
enable this.
The 16 faders are smooth yet swift-acting and are topped
off with shiny caps. The Nucleus boasts a large, clear two-
row, six-character scribble strip and above are Select, Solo and
Cut buttons. The ‘V-Pots’ are rotary encoders with a smooth,
lightly damped analogue feel. They are surrounded by 11
yellow LEDs to show roughly the setting (depending on their
assigned function) plus a red one at the bottom that indicates
status, for example, an exactly centred pan pot. These knobs
also include a push switch (‘V-Sel’) for various functions.
Basic DAW operation is fairly self-explanatory. At the
bottom of the centre section are enormous transport controls
that light up appropriately. There are dedicated Bank and
Channel nudge buttons for scrolling through the channels of
the DAW. Using the Flip button, Sends can be adjusted using
the main faders, and the V-Pots become the Send’s associated
Pan controls. It is possible to use V-Pots to adjust plug-in
parameters via HUI.
The fun starts when you launch Nucleus Remote software
and start assigning functions to Soft Keys. There are some
excellent things to play with here, such as the Jog/Shuttle
function. There are options to scroll by timeline format (in
seconds if Min:Sec is selected in Pro Tools, bars if that is the
main counter, or even Frames if Timecode is selected), scroll
by Nudge value, or there is Tracks mode, which uses the
wheel to bank faders on the Nucleus one-by-one.
The small section at the top centre of the console provides
basic monitoring and mic preamp operation. Monitoring
comprises a volume knob to control stereo DAW level
as it passes through to the monitor outputs. The mic
preamps’ signals can be blended with the mix for zero-latency
monitoring while their direct outputs are recorded. A Blend
knob balances the preamps with the mix. Using the Mono-L
and Mono-R buttons you can treat them as a hard-panned
stereo pair, or either-or-both centred in mono. Mic preamps
are SuperAnalogue with plenty of gain and 48V, polarity,
Hi-Z and 80Hz filter, and the insert is switchable. Pressing
the Mixdown button cleverly reassigns the inserts to source
the monitor inputs as the send (instead of the preamps),
sending the insert output to the monitors and to the preamp
direct outputs, so you can record the mix back to the DAW
post-insert.
‘The Nucleus is a very smart-looking, capable, and
surprisingly complex beast. The more you get your head
around the concepts and functions, the more the Nucleus
makes sense. I eventually fell absolutely in love with the
Nucleus, and it will undoubtedly become the nucleus of many
working setups.’ Resolution V10.3. n
Solid State Logic Nucleus
Contact
SOLID STATE LOGIC, UK
Website: www.solidstatelogic.com
AWARDS 2011
QUALITY & INNOVATION
Winner
Desk-Controller
ALSO NOMINATED: Avid MC Control V2; Digico
SD9; Focusrite Control 2802; Studer Vista 9.
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